![]() ![]() Unsurprisingly, then, this album, aided in its conception by the instrumental and song-writing flair of multi-instrumentalist Janel Leppin and bassist Alexandra Tyson, marks a watershed in the band’s musicality. ‘The Seduction of Kansas’ sees for the first time Priests opening up their creative musical process to external collaborators. group remain an inspired aberration in contemporary music, blending their own brand of off-beat, wacky pop with bold lyricism that cuts to the quick. Now into their eighth year as a band, the Washington D.C. Released via their own record label, Sister Polygon – which has, thus far, jolted the music world with early releases by Downtown Boys, Snail Mail and Sneaks – Priest’s second album is in equal measures brave and uneasy a question and an answer.
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